정말 백남준의 유머란... 기상천외...
큰 소리로 웃었다. 오랜만에.
표상될 수 없는 것의 표상
Jean-Francois Lyotard was one of the founding members of the College Internationale de philosophie. Ha has taught at Vincennes, Saint Denis and is currently Professor of Philosophy at the University of California at Irvine. Several of his books have appeared in English, notable The Postmodern Condition, Just Gaming and The Dirrerend.
The Lyotard Reader is a collection of Jean-Francois Lyotard's most important and significant papers to date. While they are all written from within philosophy, they seek to address subjects as wide-ranging as film, painting (Adami, Francken, Newman), psychoanalysis, Judaism and politics. The originality of Lyotard's work means that it can not be readily situated within any one philosophical tradition. Instead he returns philosophy itself to debates across a range of areas and, in so doing, redefines the philosophical enterprise.
A number of chapters in The Lyotard Reader appear for the first time in English. This is the most comprehensive collection available of Lyotard's work, work has profoundly influenced debates on the Enlightenment, on modernity, on postmodernity, on the transmission f information, on literary theory and on philosophy.
"아주 자연스럽고 평범하게 볼 수 있는 일을 단지 확대하거나 강조했을 뿐이다.
현실을 대상으로 그 안에 있는 추상적 부분과 표현주의적 요소들을 찾아내는 것이다.
거기엔 항상 뿌리가 있다." - 지아장커(贾樟柯)
문득 화면을 정면으로 바라보고 서 있는 등장인물
그 뒤에서 아무렇지도 않게 등장하는 main character
한 인물에서 다른 인물로의 이동을 보라.
그저 아무 말 필요없이 그 쇼트만으로 내게 울림을 주는 영화들이 있다.
More Info http://en.wikipedia.org/wiki/Useless_(film)
THE 400 MILLION
(1939)
53 minutes / sound / black&white / 35mm
English title: The 400 Million
French title: Les 400 millions
| Director: | Joris Ivens |
| Script: | Joris Ivens |
| Camera: | John Ferno, Robert Capa |
| Editor(s): | Helen van Dongen |
| Music: | Hanns Eisler |
| Commentary: | Frederic March (written by Dudley Nichols) |
| Production company: | History Today Inc. |
The Japanese agression against China in 1937 forced the Chinese communists to join Chiang Kai-shek's Kwomintang to take up the battle against their common ennemy. In 1938 Joris Ivens and John Ferno went to China, later joined by Robert Capa, to film the battle of T'aiertshwang; one of the few combats won by the Chinese. The film shows all aspects of a war: the battle itself, the preparations, refugees, casualties and victims, the fear and distress, the human misery and the courage, and the land under fire. Although filming for the Chinese, Ivens and his crew were checked by the censors of the Kwomintang as to prevent that the communists would be given too much prominence. Nonetheless, Joris Ivens succeeded in contacting the communists, leaving them a camera and some reels of film so they could film their battle. This camera has been exhibited in the Museum of the Revolution in Peking.
More Info
http://www.ivens.nl/?lang=UK&p=115&k=0&t=2&m=1
Chinese artist brings five decades' worth of clutter to London exhibition
Song Dong arranges 10,000 of his mother's possessions at Barbican show called Waste Not after cultural revolution slogan
Song Dong with his Waste Not installation at the Barbican in London. Photograph: Oli Scarff/Getty Images
Parallel, 2011-2012 (2012 Taipeibiennial)
Harun Farocki systematically draw
Display caption
Born at Honington in Suffolk, Robert Bloomfield (1766-1823) was one of the self-taught ‘peasant poets’ of the nineteenth century. Today his verse is all but forgotten, but in his own time he was very popular. His long poem, The Farmer’s Boy 1800, sold over 25,000 copies in three years.
Constable greatly admired Bloomfield’s verse, and quoted lines from The Farmer’s Boy when he exhibited ploughing and reaping subjects in 1814 and 1817. Here he has transcribed a section from the poem - lines from Winter describing swiftly-moving clouds - and appended an illustration.
February 2004
http://www.tate.org.uk/art/artworks/constable-cloud-study-with-verses-from-bloomfield-t01940
Event(Trauma) and Representation... the solution is sublime....? Let's get ideas from Anselm Kiefer!!
Anselm Kiefer - Aperiatur Terra gallery tour
http://www.youtube.com/watch?v=yLtgYg2iA0A&feature=g-hist
Interview with Anselm Kiefer, discussing his Aperiatur Terra exhibition at White Cube.
Full article: http://www.bbc.co.uk/dna/collective/A19432578
Post-Pop Art
MIT Press, May 15, 1989 - 192 pages
Post Pop Art brings together critical essays about American British, and Continental Pop Art written by some of the leading theorists of our time. From Guy Debord's proto-Pop Situationist manifesto of 1950 to a late reflection by Roland Barthes, and two arguments about Pop by the influential philosopher Jean Baudrillard, Post Pop Art provides a timely retrospective look at the complex origins and contemporary manifestations of Pop Art