Each spring, the Association for Asian Studies (AAS) holds a four-day conference devoted to planned programs of scholarly papers, roundtable discussions, workshops, and panel sessions on a wide range of issues in research and teaching, and on Asian affairs in general.
2013 Conference: SAN DIEGO, March 21–24, 2013
LATEST NEWS
- UPDATE: Make the most of your time in San Diego – Book a tour today!
- UPDATE: 2013 Book Expo — list of confirmed EXHIBITORS
- The 2013 CONFERENCE PANEL TITLES are now available for viewing. The listings are sorted in alphabetical order by Area of Study.
COMING SOON: Detailed listings of scheduled participants, abstracts, paper titles, searchable program by keywords, area, affiliation and much more! We expect detailed panel information to be available in early 2013.
- We are still accepting EXHIBIT BOOTH RESERVATIONS. Reserve your space today!!
- AFFILIATE GROUPS – Limited meeting space is still available. Meeting Space Requests for affiliate group meetings or receptions.
- CONFERENCE REGISTRATION AND HOUSING IS OPEN: REGISTER TODAY!
Hai Bo’s “The Blind” at Pace Beijing (July 25–August 31, 2012) “[T]o see and have the color stay where color stays, to see and have the water lie where water lies, to see and have the trees have leaves the way the trees have leaves, to see and be the one who has the work that makes the way that has the form that shows the land that is the grass and holds the weight that is the light and is the last that is the same as it is when it is where it is that every one encouraging themselves are denying and are not remaining to be sharing.” – Gertrude Stein, G.M.P., 1911–1912
http://www.pacegallery.com/artists/166/hai-bo
Program_for_the_2013_CIHA_Colloquium_in_Naruto.pdf
The Challenge of the Object
Die Herausforderung des Objekts
As the organizer of the 33rd Congress of the International Committee of the History of Art (CIHA),
the Germanisches Nationalmuseum warmly welcomes you!
The Warburg Institute is concerned mainly with cultural history, art history and history of ideas, especially in the Renaissance. It aims to promote and conduct research on the interaction of cultures, using verbal and visual materials. It specializes in the influence of ancient Mediterranean traditions on European culture from the Middle Ages to the modern period. Its open–access library has outstanding strengths in Byzantine, Medieval and Renaissance art, Arabic, Medieval and Renaissance philosophy, the history of religion, science and magic, Italian history, the history of the classical tradition, and humanism. In several of these fields it can claim to be the most important library in the world. The photographic collection, organised by subject, documents the iconographical traditions of western art and facilitates research into these traditions as well as the identification of the subject of individual images. The archive holds the papers of Aby Warburg, Fritz Saxl and other staff members of the Institute, including both sides of their correspondence with many leading scholars of the twentieth century.
itistory-photo-1
언어 프로젝션, 2012
광주비엔날레 전시관 벽면에 빔프로젝션
현재도 출국 금지 상태에 놓여 있는 아이는 2012광주비엔날레에 <언어 프로젝션>을 선보인다. 물질적인 작품이 아닌, 소셜 미디어와 비디오 프로젝션을 통한 커뮤니케이션이라는 비물질적인 수단으로 이 행사에 자신의 존재를 반영하겠다는 계획이다. 이런 식으로 비록 직접 자리에 참석하지는 못하지만 다양한 현대적 가치에 관한 토론에 참여하여 ‘라운드테이블’이라는 비엔날레의 주제와 공명을 일으키고자 한다. 비엔날레홀 입구 광장과 건물 외관에서 밤에만 상영되는 그의 작업은 부재, 밤, 빈 공간이라는 개념들이 가리키는 ‘음’의 기운을 탐구하고 모색하는 작가의 제스처이기도 하다. 아이 웨이웨이는 2011년 광주디자인비엔날레 공동감독을 역임한 바 있다.
도시의 황제의 보물상자, 2012
혼합매체, Courtesy of the artist; Tina Keng Gallery, Taipei and Beijing. Image courtesy of the artist.
투 웨이-쳉은 미술가, 큐레이터, 미술 프로모터로 활동하면서 학계, 언론 매체, 상업적 영역의 경계를 넘나들고 있다. 비엔날레 출품작 < 도시의 황제의 보물상자> 진품과 모조품 고가구를 섞어 놓은 아상블라주로 일종의 중국식 속임수 상자 같은 기능을 한다. 투는 광주에 관한 시 한 편을 쓰고 모스 기호로 변환한 뒤 그것을 다시 광주시를 상징하는 진달래꽃과 여러 가지 사운드로 전환한다. 그리고 그가 도시에서 우연히 만난 사람들과 광주민주항쟁의 생존자들, 즉 ‘문화적 정신을 형성하는’ 이들을 기록한 이미지들과 그밖에 도시 풍경, 역사적 단상들과 함께 세심하게 조율한 기획 하에 나란히 배치한다.
