Diary2011. 2. 1. 12:03
오웅.. 매우 갖고픈 카메라.
이런걸로도 '작품' 못만들면 그건 정말 재능이 없는거다. 켁!


http://shopping.naver.com/detail/detail.nhn?cat_id=30017019&nv_mid=4141584107&frm=nv_model
Posted by rabbityoo
Film2011. 2. 1. 11:38
인물사진

이탈리아 출신의 영화감독인 로베르토 로셀리니(1906-1977)는 영화사상 가장 혁신적이고 그래서 가장 위대한 예술가 가운데 하나로 꼽히는 인물이다. 로셀리니라고 하면 ‘네오 리얼리즘의 선구자’ 정도로만 알려져 있지만 그는 한편으로 ‘누벨 바그의 아버지’이기도 했고 ‘현대 영화modern cinema의 창안자’이기도 했다. 로셀리니는 그 범주가 어떤 것이든 항상 영화에 대한 관습적인 접근 방식을 거부하면서 픽션과 다큐멘터리, 관찰과 교육, 개인과 사회 등의 관계에 대한 심오한 성찰을 담으려 한 영화감독이었다.

로셀리니가 첫 장편영화를 만든 것은 1940년대 초의 일이었지만 그에게 영화감독으로서 국제적인 명성을 안겨다 준 작품은 1945년작 <무방비 도시>였다. 나치 독일에 대항한 이탈리아 민중들의 투쟁을 리얼리즘적인 방식으로 그려낸 이 영화는 네오 리얼리즘의 시작을 본격적으로 알리는 작품이라는 평을 들었다. 이후로 로셀리니는 <무방비 도시>보다도 훨씬 혁신적인 리얼리즘 영화인 <전화의 저편>(1946)과 전후 독일의 몰락상을 한 어린 소년의 눈으로 그려낸 <독일 영년>(1947) 같은 리얼리즘 영화의 걸작들을 만들어냈다.

사람들 사이의, 그리고 문화 사이의 커뮤니케이션(의 부재)이라는 주제의식은 이미 <전화의 저편>에서부터 드러나는 것이었지만, 이 문제를 보다 지속적으로 그리고 보다 미묘하게 다루기 시작한 것은 잉그리드 버그만을 주연으로 기용해 만든 <스트롬볼리>(1949), <유럽 ‘51>(1952), <이탈리아 여행>(1954) 등이었다. 이 가운데 <이탈리아 여행>은 특히 후에 누벨 바그의 멤버들이 될 이들로부터 ’현대 영화의 출발점‘이라는 평가를 들으며 그들에게 심원한 영향을 미치기도 했다.

60년대에 들어서 로셀리니는 ‘오염된’ 영화를 버리고 보다 가능성이 있다고 생각한 텔레비전 쪽으로 발길을 돌렸다. 그리고 그 새로운 영역에서 그는 사람들에게 세계와 역사에 대한 비판적인 이해를 안겨줄 교육적 도구로서의 역사 영화들을 만들어냈다. <루이 14세의 권력쟁취>(1966)나 <사도행전>(1969) 등은 이 시기에 만들어진 대표작들이다.

Posted by rabbityoo
Music2011. 1. 17. 19:01


SonyBMG(수입) | 2008-09-11 |  11,200w

Robert Schumann

Piano Quartet in Eb major op.47

Glenn Gould(piano)

Members of the Juilliard String Quartet 27:30

이 가운데 특히 제 3악장... 낭만주의의 극치!

Robert Schumann - Piano Quartet III.Andante cantabile Michelangelo Quartet, performer - - One of the most beautiful slow movements in Chamber music.

http://www.youtube.com/watch?v=u9cGMoN0DnQ

주의깊게 다시 들어보니 허밍음 소리가 나는 것 같다. 굴드는 솔로곡 말고 협주곡을 치면서도
소리를 내나? 내가 환청을 들었나... ㅋㅋ

굴드의 연주와 줄리어드 4중주단의 이 빠른 템포의 협주곡을 다른 음반과 비교해 들어보면 재미있을 듯.
Posted by rabbityoo
Automatism2011. 1. 16. 23:04
그것은 거의 연극,
아버지 놀이에도 지친 아이가
물끄러미 바라보는 소꿉놀이
막이 내려도 괴로움은 끝나지 않는다

해가 지고 해가 뜨는 것도 연극
오이꽃이 웃는 것도 연극

고통은 밤하늘에 떠올라 울창한 숲을 이루고
그 아래 또 熱氣, 나는 풀잎 엉클어져
숨소리 거친 골짜기,
꽃 핀 나무들의 괴로움

그것은 거의 연극,
막이 내려도 괴로움은 끝나지 않는다.

이성복, <남해금산> 중에서.
Posted by rabbityoo
Automatism2011. 1. 11. 21:55

이곳에 와서 많이 즐거웠습니다 갖은 즐거움 다 겪었
습니다 민짜의 술집 여자들의 퉁퉁 부은 몸은 너무 즐거
워 오래 보기 괴로웠습니다 하얗게 면도한 돼지가 하늘을
향해 흥흥, 냄새 맡는 것도 보았습니다 얕은 냇물이나 냇
물가 조약돌보다  고운 아이들의 웃음도 보았습니다 그 웃
음 속에 꼬물거리는 구더기도 보았습니다 즐거웠습니다
신비로웠습니다

  이젠 내보내주세요, 가야겠습니다
  보내주세요, 풀어주세요, 소리치겠어요, 악쓰겠습니다
  내보내주세요!


- 이성복, <남해 금산>
Posted by rabbityoo
News2011. 1. 4. 23:42

Edgar Degas. Dancers Climbing a Stair. c.1886-1890. Oil on canvas. Musée d'Orsay, Paris, France


The Tub. 1886. Pastel on paper. Musée d'Orsay, Paris, France

Edgar Degas. Ballet Rehearsal on Stage. Oil on canvas. Musée d'Orsay, Paris, France
Posted by rabbityoo
Music2010. 12. 26. 13:27
Gustav Mahler

Symphony no.2 in c minor "Auferstehung"

1.Allegro maestoso

2.Anadante moderato

3.In ruhig fliessender Bewegung

4."Urlicht": Sehr feierlich, aber schlicht

5.Im Tempo des Scherzo

Ricarda Merbeth(soprano)

Bernarda Fink(mezzo-soprano)

Netherlands Radio Choir

Royal Concertgebouw Orchestra/Mariss Jansons 2006 87:12

★★★★★

원제 Mahler : Symphony No. 2 in C minor 'Resurrection'
[수입] 말러 : 교향곡 2번 '부활' (길버트 카플란 버전) [2SACD Hybrid+DVD]
마리스 얀손스 (Mariss Jansons) | 말러 (Gustav Mahler) | 로얄 콘서트헤보우 오케스트라 (Royal Concertgebouw Orchestra) | 네덜란드 라디오 합창단 (Netherlands Radio Choir) | 베르나르다 핑크 (Bernarda Fink) | 메르베스 (Ricarda Merbeth) | RCO | 2010-11-25
정가 : 31,700원
판매가 : 26,600원 (16%off, 5,100원 할인)
2010년 11월 역사적 내한공연을 통해 순도 높은 사운드와 명실상부 세계 제1위 관현악단의 완벽한 연주력으로 초유의 갈채를 받은 로열 콘세르트허바우 오케스트라의 최신 녹음! 2009년 12월 3일에서 5일까지 이어진 이들의 말러 교향곡 2번 '부활' 연주는 작곡가의 슬픔과 격정, 느린악장의 더없이 아름다운 노래에 이르기까지 로열 콘세르트허바우의 완벽성이 입증되는 역사적 명연으로 찬사를 받았다. 전 세계적 화제를 모은 바로 그 연주를 마침내 만나게 되는 감동적 명반이다.

★ 보너스 DVD 포함 특별한정반 - 2009년 12월 3일 실황 영상
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News2010. 12. 24. 17:06

시카고 대학의 쥴리아 랑베인은 엘리나 브로데루스의 사진 작업과 '세컨 핸드(?)'의 작업들을 뽑았다.

Julia Langbein is a Ph.D. candidate in art history at the University of Chicago.

Julia Langbein

La carte d’après Nature,” “Second Hand,” Elina Brotherus

Elina Brotherus, Baigneuse, orage montant (Bather, rising storm), 2003, color photograph, 27 1/2 x 31”.

Surprise is a legitimate reaction to finding one of the year’s best contemporary exhibitions in Monaco. The inaugural show at the Nouveau Musée Nationale de Monaco’s Villa Paloma, La carte d’après Nature (The Map After Nature),” curated by photographer Thomas Demand, acknowledges that surprise. The show plays on the deep strangeness of the one-mile-squared leisure kingdom, on its heights of both nature and artifice, in works like Chris Garofalo’s intricate ceramic models of impossible sea creatures and Saâdane Afif’s absurd topographical map of a wave (Strategie de l’inqiétude [Strategy of Unrest], 1998). The artist-as-curator is one of the most interesting features of the show: For example, in designing a trompe l’oeil velvet-curtain wallpaper to surround Magritte’s paintings, he has (in his words) “taken many liberties where a professional curator might be accused of infringing.”

Liberties taken by professional curator Anne Dressen at the Musee d’Art Moderne de la Ville de Paris created the dynamism of “Second Hand,” a seven-month-long group show in which the expansive, permanent modern-survey collection of the museum was “infiltrated” by copies, imitations, and appropriations, from a Modigliani by legendary forger Elmyr de Hory to Olivier Mosset’s striped canvas Untitled, 1974, whose uniform bands are only infinitesimally wider than Daniel Buren’s. Playful interspersing of the “lookalikes” threw the spectator into investigative mode, ready to examine the authenticity of the masterpieces of the permanent collection.

Elina Brotherus’s photographs and videos have a consistent relationship with the history of painting, but one that is subtler than direct copy or citation. In a retrospective and then a follow-up show of new work at gbagency in February and March, one saw an initial confessional phase in the 1990s give way to an investigation of the compositional conventions of nineteenth-century painting, from the romanticism of Model Studies, 2002–, in which figures are viewed from the back against expansive landscapes reminiscent of Caspar David Friedrich, to the academicism of a marmoreal nude in Baigneuse, orage montant (Bather, rising storm), 2003.

Posted by rabbityoo
News2010. 12. 24. 16:53

이태리의 유진 비올라는 아브라모빅과 폴 매카시, Sk-Interfaces의 전시를 올해의 베스트로 뽑았다.

Eugenio Viola is a critic and Project Room curator at Madre Contemporary Art Museum in Naples, Italy.



Marina Abramović, Paul McCarthy, “Sk-Interfaces”

Marina Abramović, The Artist Is Present, 2010, Performance view, Museum of Modern Art, New York, 2010. Photo: Marco Anelli.

“The Artist Is Present,” Marina Abramović’s dazzling retrospective at MoMA, was certainly among the finer exhibitions of 2010. Beyond the complex and constant play of references in her oeuvre, the show spectacularly reasserted the presence of the artist/shaman through a durational performance and a controversial decision to re-enact her historical performances. This was a solution that succeeded on a curatorial level, where the effect was unquestionable, as well as on a theoretical level: Abramović affirmed the radical subversion hic et nunc of the performative act while managing to stall the attenuation of “presence” that is a consequence of theatrical recreations.

“Pig Island,” Paul McCarthy’s first retrospective in Italy, was also noteworthy. The exhibition at the Palazzo Citterio (organized by the Fondazione Nicola Trussardi) was a journey into the artist’s hallucinatory weltanschauung, made via residual traces of past performances and found objects, all staging outrageous situations, verging on the obscene. Each installation presented pairs of figures that challenged boundaries and broke interpretive registers. The space as neutral container was transformed by the convergence of McCarthy’s works, and therein the social dynamics of politics and culture were subjected to symbolic, devastating, tragicomic and self-satisfied bad taste.

By contrast, “Sk-Interfaces,” which closed in early 2010 at the Casino Luxembourg, disrupted the present state of affairs and exposed artistic practices thriving on the margins. The exhibition investigated the best of Biotech art by focusing on an abrupt rematerialization of the art object in the passage from net art to wet art. Here, artists––faithful seismographers of their own time––absorbed the speed of technological innovation with a lucid madness, appropriating biotechnologies and genetic engineering while participating in the gradual spread of technology and science to the world of art. Standout pieces in the exhibition by Eduardo Kac, ORLAN, Stelarc, and Art Orienté objet, among others, were emblematic of these contemporary approaches.

Translated from Italian by Marguerite Shore.

Posted by rabbityoo
Best of Best2010. 12. 18. 04:00

Top honors for Rob Pruitt’s 2010 Art Awards went to the late artist Louise Bourgeois and Whitney Museum of American Art curator Chrissie Iles during a ceremony held at Webster Hall on December 8, 2010. Conceived by Pruitt as a performance-based artwork that follows the format of a Hollywood awards show, the annual event celebrates individuals, exhibitions, and projects that made a significant contribution to contemporary art during the past year. After opening with a restaging of Marina Abramović's Imponderabilia, mastermind Rob Pruitt and Master of Ceremonies Glenn O’Brien ascended the stage to greet the art-world luminaries in attendance before turning it over to cast of presenters including John Currin and Rachel Feinstein; Marina Abramović and Klaus Biesenbach; and Bill Powers, Jeanne Greenberg Rohatyn, and Jerry Saltz, of the Bravo television series Work of Art, who awarded winners in categories ranging from Blogger or Critic of the Year to New Artist of the Year.

Guests dined on a menu crafted by Roberta’s, of Bushwick, Brooklyn, and enjoyed performances by artists Martin Creed and Kalup Linzy, who was joined by
James Franco for a ribald duet. But the night was more than mere revelry. As a shared fundraising event benefiting the Guggenheim Foundation and visual arts nonprofit White Columns, the Art Awards celebrated the liftetime achievement of Martha Rosler and Jonas Mekas, while an Artist-Educator Achievement Award, new to this year’s ceremony, went to Marilyn Minter. As Mekas accepted his award—a black-and-white silk-screened painting of an engraved trophy designed by Pruitt—he declared to his fellow artists, “We all have the same purpose—to make humanity more subtle and beautiful.”

View photos from the night on
Flickr.

The complete list of nominees and winners is:

Alternative Space of the Year
WINNER Artists Space, New York
179 Canal, New York
Cleopatra's, Brooklyn, New York
Light Industry, Brooklyn, New York

Alternative Project of the Year
WINNER INDEPENDENT, New York
Apartment Show, various locations, New York
edia Int'l Group, Foundation Barbin, New York
Jennifer Rubell, Creation, Performa 09, New York

Artist of the Year
WINNER Louise Bourgeois
Marina Abramović
John Baldessari
Trisha Donnelly

Blogger or Critic of the Year
WINNER Jerry Saltz
Howard Halle
Paddy Johnson
Linda Yablonsky

Curator of the Year
WINNER Chrissie Iles
Massimiliano Gioni
Laura Hoptman
Neville Wakefield

Exhibition outside the United States
WINNER John Baldessari: Pure Beauty, Tate Modern, London
Rosemarie Trockel: Deliquescence of the Mother, Kunsthalle Zürich
Felix Gonzalez-Torres: Specific Objects without Specific Form, Wiels Contemporary Art Centre, Brussels
Matthew Barney: Prayer Sheet with the Wound and the Nail, Schaulager, Basel

Group Show of the Year, Gallery
WINNER Primary Atmospheres: Works from California 1960–1970, David Zwirner, New York
Lush Life, various locations, New York
Picture Industry (Goodbye to All That), Regen Projects, Los Angeles
Your History Is Not Our History: New York in the 1980s, Haunch of Venison, New York

Group Show of the Year, Museum
WINNER In & Out of Amsterdam: Travels in Conceptual Art, 1960–1976, Museum of Modern Art, New York
At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, Hessel Museum of Art, Bard College, Annandale-on-Hudson, New York
Greater New York, MoMA P.S. 1, Long Island City, New York
2010 Whitney Biennial Exhibition, Whitney Museum of American Art, New York

New Artist of the Year
WINNER Tauba Auerbach
Michele Abeles
Liz Magic Laser
Ryan McNamara

The Rob Pruitt Award
WINNER Lena Dunham

Solo Show of the Year, Gallery
WINNER Trisha Donnelly, Casey Kaplan Gallery, New York
Claude Monet: Late Work, Gagosian Gallery, New York
Gelitin: Blind Sculpture, Greene Naftali Gallery
Jonathan Horowitz: Go Vegan! Gavin Brown’s Enterprise, New York

Solo Show of the Year, Museum
WINNER Marina Abramović: The Artist Is Present, Museum of Modern Art, New York
Heat Waves in a Swamp: The Paintings of Charles Burchfield, Hammer Museum, Los Angeles, and Whitney Museum of American Art, New York
Otto Dix, Neue Galerie, New York
Yves Klein: With the Void, Full Powers, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., and Walker Art Center, Minneapolis

Master of Ceremonies Glenn O'Brien and Rob Pruitt. Photo: Roger Kisby


Posted by rabbityoo